Recital
January 18. Victoria Hall, Geneva (Switzerland)
Piano: Félix Lavilla
Recital
January 20. Kornhaus, Ulm (Germany)
Piano: Félix Lavilla
Recital
January 22. Paulussaal, Fribourg (Germany)
Piano: Félix Lavilla
Recital
January 24. Konzertsaal, Berlin (Germany)
Piano: Félix Lavilla
Recital
January 26. Robert Schumann Saal, Düsseldorf (Germany)
Piano: Félix Lavilla
Recital
January 30. Musikhalle, Hamburg (Germany)
Piano: Félix Lavilla
Recital
February 2. NDR, Hannover (Germany)
Piano: Félix Lavilla
Recital
February 5. Beethovensaal, Stuttgart (Germany)
Piano: Félix Lavilla
Recital
February 7. Wolksaal, Frankfurt (Germany)
Piano: Félix Lavilla
Concert
February 22. Palacio de la Música, Barcelona (España)
Conductor: Antonio Ros Marbá. Orquesta de Cámara
Program:
Piangerò la sorte mia – Giulio Cesare (G.F. Haendel)
Sta nell’Ircana – Alcina (G.F. Haendel)
Aria di Merlina – L’impresario in angustie (J. Haydn)
Aria di Giannina – Giannina e Bernadone (J. Haydn)
Deh per questo instante solo – La clemenza di Tito (W.A. Mozart)
Parto, parto! – La clemenza di Tito (W.A. Mozart)
Recital
February 25. Palacio de la Música, Barcelona (España).
Piano: Félix Lavilla
Program:
Addio Roma – L’incoronazione di Popper (C. Monteverdi)
Quel aguardo adegnosetto (C. Monteverdi)
Morte di Santa Ursula – Il martirio di Santa Ursula (D. Scarlatti)
Cantata di Arianna a Naxos (J. Haydn)
Con amores la mi madre (J. de Anchieta)
A la caza sus a la caza (Gabriel)
Alma sintamos (P. Esteve)
Asturiana (J. Nin)
Paño murciano (J. Nin)
Montañesa (J. Nin)
Canto andaluz (J. Nin)
Pastorcito santo (J. Rodrigo)
Coplillas de Belén (J. Rodrigo)
Cantares (J. Turina)
Saeta (J. Turina)
Farruca (J. Turina)
La Cenerentola (G. Rossini)
March 20, 24, 26, 28, 31. Teatro All’Opera. Roma (Italy)
Teresa Berganza (Angelina), Luigi Alva (Don Ramiro), Sesto Bruscantini (Dandini), Paolo Montarsolo (Don Magnifico), Rita Talarico (Clorinda), Rosa Laghezza (Tisbe), Giannicola Pigliucci (Alidoro)
Conductor: Vittorio Gui. Orchestra e Coro del Teatro all’opera di Roma. Stage director: Peter Ebert. Sets and Costumes: Veniero Colasanti e John Moore.
Recital
April 2. Hamburg (Germany)
Piano: Félix Lavilla
Recital
April 3. Palazio Barberini, Roma (Italia)
Piano: Félix Lavilla
Recital
April 6. Teatro della Pergola, Firenze (Italia)
Piano: Félix Lavilla
Recital
April 15. Círculo musical, Lisboa (Portugal)
Piano: Félix Lavilla
Recital
April 17. Teatro Rivoli, Porto (Portugal)
Piano: Félix Lavilla
Recital
April 27. Rosehill Theatre, Whitehaven (Great Britain)
Piano: Félix Lavilla
Recital
May 4. Whitla Hall, Belfast (Great Britain)
Piano: Félix Lavilla
Recital
May 7. Lounge Hall, Harrogate (Great Britain)
Piano: Félix Lavilla
Recital
May 9. Reardon Theatre, Cardiff (Great Britain)
Piano: Félix Lavilla
Recital
May 11. School Hall, Mill Hill (Great Britain)
Piano: Félix Lavilla
Recital
May 15. Royal Festival Hall, London (Great Britain)
Piano: Félix Lavilla
Recital
May 31. Teatro Real, Madrid (España)
Conductor: Antal Doráti.
Le Nozze di Figaro (W.A. Mozart)
July 26, 29. RAI. Roma (Italy)
Sena Jurinac (Countess Almaviva), Teresa Stratas (Susanna), Sesto Bruscantini (Figaro), Teresa Berganza (Cherubino), Mario Petri (Count Almaviva), Giorgio Tadeo (Bartolo), Nucci Condo (Marcellina), Agostino Lazzari (Don Basilio), Lylia Teresita Reyes (Barbarina)
Conductor: Zubin Metha. Orchestra e Coro de la RAI di Roma
Recital
August 3. Festival de Música de S’Agaró, Girona (España)
Piano: Félix Lavilla
Program:
Lascia ch’io pianga – Rinaldo (Haendel)
Elitropio d’amor (A. Scarlatti)
Ahi, che forse i miei di – Demofonte (L. Cherubini)
Stizoso mio stizoso – La serva padrona (Pergolesi)
Ariana a Naxos (J. Haydn)
No quiero tus avellanas (J. Guridi)
Cómo quieres que adivine (J. Guridi)
Mañanita de San Juan (J. Guridi)
Llámale con el pañuelo (J. Guridi)
Ai, Isabel – Cuatro canciones vascas (F. Lavilla)
Anderegeya – Cuatro canciones vascas (F. Lavilla)
Loa-Loa – Cuatro canciones vascas (F. Lavilla)
Aldapeko Mariya – Cuatro canciones vascas (F. Lavilla)
Cuba dentro de un piano – Canciones negras (X. Montsalvatge)
Punto de habanera – Canciones negras (X. Montsalvatge)
Chévere – Canciones negras (X. Montsalvatge)
Canción de cuna – Canciones negras (X. Montsalvatge)
Canto negro – Canciones negras (X. Montsalvatge)
Il barbiere di Siviglia (G. Rossini)
September 14, 17, 20, 25, 29. San Francisco Opera House (EE.UU)
Allan Monk (Fiorello), Pietro Bottazzo (Almaviva), Renato Capecchi (Doctor Bartolo), Ingvar Wixell (Figaro), Teresa Berganza (Rosina), Nicola Rossi-Lemeni (Don Basilio), Sona Cervena (Berta).
Conductor: Aldo Faldi. Orchestra and Chorus of San Francisco Opera House. Stage Director: Ghita Hager. Sets and Costumes: Alfred Siercke
Recital
October 8. Dade Country Auditorium, Miami (EE.UU)
Piano: Félix Lavilla
Il barbiere di Siviglia (G. Rossini)
November 7, 16, 23, 29; December 4, 9. Metropolitan Opera House. New York (EE.UU)
Mario Sereni/Sherrill Milnes (Figaro), Teresa Berganza (Rosina), Luigi Alva (Conte Almaviva), Fernando Corena (Doctor Bartolo), Giorgio Tozzi/Jerome Hines (Don Basilio), Shirley Love/Marcia Baldwin (Berta), Gene Boucher (Fiorello). Stage director: Cyril Ritchard.
Conductor: Richard Bonynge. Orchestra and Chorus of the Metropolitan Opera House.
But the revival was really distinguished by the presence of Teresa Berganza as Rosina. The Spanish mezzo-soprano had not sung the role with the company before, although she has been a well-known recitalist here, and her way with Rossini’s music is much admired. She is certainly the most charming Rosina at the Met since her compatriot Victoria de los Angeles. Like her, she sings the music in the low key, which makes it much more appealing to the ear than the constant chirping of coloratura sopranos one is usually subjected to. Short and dark, if not exactly petite, Miss Berganza is quite enchanting to look at, a pleasant if not volatile actress, and a singer of great style and skill. She lit the stage up whenever she was on it, without making any attempt to do so.
Douglas Watt. The New York Times
Recital
November 10. Carney Hall, New York (EE.UU)
Piano: Félix Lavilla
Program:
Lascia ch’io pianga – Rinaldo (G.F. Haendel)
Elitropio d’amor (A. Scarlatti)
Ah, che forse ai miei di – Demofonte (L. Cherubini)
Stizzoso, mio stizzoso – La serva padrona (G. Pergolesi)
Arianna a Naxos (F.J. Haydn)
Oh, muerte cruel (Granados)
Seven popular Spanish songs (M. de Falla)
Canción de cuna para dormir a un negrito (M. Montsalvatge)
Recital
November 29. New Orleans (EE.UU)
Piano: Félix Lavilla
